Big Film Design was New York's first digital VFX post house, and our team continues to use all the tools available to create distinctive visual effects sequences for both feature films and television. Our Creative Director, Randy Balsmeyer serves as Visual Effects Supervisor for most of these productions.
Randall Balsmeyer has been working in visual effects for 40 years! He has worked on many films including GHOST, DEAD MAN, THE ADJUSTMENT BUREAU and BLACKKKANSMAN. He talks to us today about his new collaboration with director Spike Lee.
As the holidays approach, we here at BFD have a lot to be thankful for. We’ve been busy on several big projects that are now arriving for your viewing pleasure.
Big Film Design is proud to have contributed the title sequence and all the visual effects for the new film. DSBOJ marks a 26-year partnership between BFD’s Randy Balsmeyer and Mr. Lee.
BFD’s Creative Director Randy Balsmeyer oversaw the creative and technical challenges that contributed to the overall look & feel of the picture.
Randy Balsmeyer is the Visual Effects Supervisor for the series, working with Zoic Studios to produce the effects.
It's 1984 and a pre-Manolos-and-Mr.-Big Carrie Bradshaw ("Sex and the City") is just a Connecticut teenager with a rebellious kid sister and a harried father, struggling to deal with her mother's death.
Six years after the first Gossip Girl blast rocked the Upper East Side and viewers at home, Gossip Girl returns for an unforgettable final season.
Over five years ago, we had the pleasure of working with the talented writer and director Kenneth Lonergan(You Can Count on Me), creating visual effects for an amazing film called Margaret.
